Showing posts with label Photoshop. Show all posts
Showing posts with label Photoshop. Show all posts

Wednesday, 3 December 2014

REALISATION: Blog entry 32
Sparrows pattern - Colour
Sparrows pattern - Colour (detail)
Sparrows pattern - Colour (detail)
Now I have this pattern completed (!!!) I can start experimenting with layering this with my background patterns, and playing with colours and materials...

Sparrows pattern & flight pattern
Sparrows pattern & flight pattern (detail)
Sparrows pattern & flowers pattern
Sparrows pattern & flowers pattern (detail)
Sparrows pattern & invertebrates pattern (detail)
Sparrows pattern & invertebrates pattern
Will do some more experimentations with different colours (etc.) later, just wanted to get these three in to give an example of the finished patterns.

Monday, 17 November 2014

REALISATION: Blog entry 19

This morning I've started to get some of my ideas down, and generating, more imagery and pattern ideas so that I can fully experiment with everything before settling on one aesthetic to move forward with for my outcome.
This pattern is going to be the background for another pattern (possibly more) but while I was making it, I took a series of screen grabs to show how I have been making my repeat patterns.


I start with my initial images that will make up the pattern...



The dived the image into four, and rotate each section 180 degrees...


This create an image that will fit together when repeated with a gap in the middle...


To make the pattern flow, I fill in the central gap...


Then just copy and past this small section, again and again... 




This is the easiest and simplest method that I have found to create a repeating pattern. Once you have your initial block, it is incredibly easy to just copy and past to create a large pattern, and to also keep layering different patterns.

Wednesday, 15 October 2014

REALISATION: Blog entry 10



I've been struggling lately to make work, and to make work at all that I don't hate - today I did some stuff that I don't think is completely horrible...
Sketchbook experiment
This first one, I took inspiration from Hella Jongerious' work (Blog entry 4). I didnt like it when I first did it, but now it's growing on me slightly. I think this might work out better if I tried it in photoshop, Im sure, but while I'm experimenting, it might be worth a shot.

Sketchbook experiment
I also tried other ways to incorporate a more fitting pattern into my image..
Sketchbook experiment
These seemed to work quite well, so took it to photoshop to start playing with it there. this is ok..I kind of like the water colour ones better, but it was only my first attempt. I'm also not sure how well this shows that it is a sparrow...with my other older stuff it was easily identifiable (that was the point). I also need to think about how this could work with capercaillie....
Photoshop experiment

I also managed to get little bits of my PPF done; I wanted to get started on this as I think it will help me get my concept pane power point together a little better. It's hard going though, I'm in such a slump with my work, I don't feel like I've made any progress the past few weeks. I have a tutorial Monday, and with how far I've come I'm not sure it's exactly going to be any more help. I have no time next week to do much of anything with my work either, so I need to get the worst of it out of the way this week. Tomorrow I really need to focus on getting my concept panel stuff out of the way and done...

Tuesday, 14 October 2014

REALISATION: Blog entry 9

Experimentation - Capercaillie

Add captionExperimentation - Capercaillie

Experimentation - Capercaillie

Experimentation - Capercaillie
Experimentation - Capercaillie

Experimentation - Capercaillie

Experimentation - Capercaillie

This is just some brief continuation of my experimentation with this idea. For this one I've been thinking more along the lines of a logo (although this would be something that is also part of the main pattern). I think these work better than those of the sparrows, but mainly because the capercaillie has a more recognisable shape. 
There is still a lot more to experiment with with this idea;
-full pattern overlay
-emulsion printed backgrounds
-other types of printed backgrounds
-working into photos by hand (? sewing, painting, drawing)
-different variations of image

I also still want to continue to experiment with how simple my designs are going to be, and I need to work on refining the birds them selves too.

Wednesday, 8 October 2014

REALISATION: Blog entry 7

Since my tutorial I have been focusing on just one type of bird - I started with the house sparrow, but the past few days I haven't got very far with that idea, so today I thought I would have a crack at the Capercaillie, and see if I can make any more progress with my ideas.


Most of my research so far has been through the RSPB website, however the information here is quite limited. But, the RSPB works with a number of other trusts and charities in it's projects, and luckily for me, some of their information is much better. In this  document from the forestry commission Scotland, there is much more information about the plight of the capercaillie;


Threats to capercaillieThe main threats to the species have recently been both physical and organisational. Physical factors, in no particular order, include fence collisions, loss of eggs and chicks to predators, overgrazing, loss and fragmentation of pinewood habitat, lack of suitable brood habitat and human disturbance. Last but not least, a series of cold springs and wet summers, possibly connected to wider climatic change, has resulted in greater chick mortality. Organisational factors have included a limited capacity for long-term management and monitoring within core capercaillie areas, although this has improved substantially through recent conservation action. Effective future management of capercaillie must deal with this broad range of issues...
Capercaillie conservation action to date
Recent action has focused mainly on a major project funded partly by EU LIFE funds, partly match funded by Forestry Commission Scotland grants and action on the national forest estate. It delivered the following outputs in the period 2002-7:
• population monitoring on all project sites, covering 35,000 ha
• cver 1,000 hectares of habitat improved for chicks
• over 400 hectares of new chick habitat created through variable density
thinning and glade creation within dense plantations
• capercaillie-friendly management in 1,600 hectares of plantations
• predation reduced in over 34,000 hectares of forest
• 12 kilometres of deer fencing taken down to stop capercaillie collisions
• 22 kilometres of deer fencing marked to reduce capercaillie collisions...
The capercaillie species action planCapercaillie is a UK priority species for conservation action. The Capercaillie Biodiversity Action Plan Group is responsible for delivering the species action plan for capercaillie and is the essential lead contact for conservation advice, background guidance and more detailed information on the species. They also co-ordinate research and policy development and have a wide and representative membership. The Capercaillie Project Officer, funded by the Royal Society for the Protection of Birds (RSPB), SNH and Forestry Commission Scotland, has an important advisory role and encourages and assists forest managers to implement action for capercaillie in their forests. 
(Forestry Commission Scotland, 2014)

There is also the information on the capercallie biodiversity plan from the RSPB website it's self;

Work planned or underwayWhat do we plan to do next? 
  • Continue to work with partners, especially FCS and SNH, to undertake practical measures to improve their breeding success and survival. These measures include: reducing the threat posed by fences in the core areas, delivering direct management on the ground , ensuring strict implementation of relevant policies and providing advice on funding opportunities to estates under the Scotland Rural Development Programme.  
  • Continue working with forest managers on all key sites for capercaillie
  • Continue to undertake research and monitoring to inform conservation action 
  • Increase publicity for the plight of the capercaillie in Scotland
  • Organising regional surveys covering over 80 leks and assisting with brood counts throughout the capercaillie range 
  • Holding advisory events targeting forestry managers and estate managers 
  • Researching the impacts the recovering population of pine martens may have on capercaillie breeding success
What are the constraints to fully achieving the targets?
  • Deer, fencing and forestry management issues. Deer numbers remain high and there is still a problem with too much grazing and browsing on many sites 
  • Cold temperatures and wet weather in June, when the chicks are small, can reduce chick survival significantly 
  • It is thought that changes to spring weather patterns are having a negative impact on the nutritional status of females during egg formation – though the scientific case is not proven categorically yet 
  • Increases in mammalian predators such as foxes and crows may be having a negative effect on productivity.
(The RSPB, 2014)

One of the things that has been suggested to me is that I take each group/bird and appeal to a different audience with each one (outcome?)...so far, I'm struggling to come up with the things that I may end up creating, however, from looking at the goals of the conservation projects, and the reasons for the capercallie appearing on the RL, I am able to identify who my audience may be (land owners and farmers, and walkers/bird watchers being two solid groups that my work will need to be aimed at - producing two different things to do just that). Any thing that I make will then be tied together by my designs that generally have a much wider appeal that the current stuff that is used by the RSPB and other trusts and charities (wider appeal, more interest, hopefully).
_______________________________________________________

After previously looking at the work of Mel Lim (Blog entry 4) I decided that I wanted my patterns to be lots thicker, with more layers and elements to the design. This is also a good way to implement my original idea of including all the relevant information about the bird.

Pine pattern - experimentation background pattern
Capercaillie likes coniferous forests, so I wanted to use the pine and deep greens, also with using deep greens, and red on the birds, I thought that this might also reflect most commonly used colours of tartan (Scottish etc. is that a bit of stretch? Wanted to hint at Scotland with out making capercaillie themed tartan, not sure whether either of this works...). Like in Mel Lim's work, I want to create a really thick detailed patter with lots of little bits, so far i'm thinking of having a couple of subtle patterns working below the actual pattern that includes the birds.

[Now I'm looking at this and thinking..does it just look like fern??]

Pine pattern - experimentation background pattern (detail)
Continuing to experiment with different ideas and building up layers of pattern...
Experimentation - pattern elements
Experimentation - pattern elements
Experimentation - pattern elements
Experimentation - pattern elements
Experimentation - pattern elements
Experimentation - pattern elements
Experimentation - pattern elements





























As well as starting to think about the individual bits that would make up my pattern, I also stared to think about the bird itself (colours, positions, composition yadda yadda..) and it struck me that this one is a pain for the simple style which I have adopted, because this bird is iridescent.  I had the same problem when trying to create a lapwing...it appears to be black, but actually shines a variety of different colours in different places. Although it would be possible to identify it if shown as being black..it isn't accurate, however the images work better when shown as black. Luckily, with the lapwing having quite a unique shape, this helped..but with capercaillie, if shown as being all black, it may be confused with a black grouse (also Red Listed).
Capercaillie - experimentation with colour
Tried to show the different colours of the bird...this may work better if the colours were closer to black than I have gone with here..?
Capercaillie - experimentation with colour
This really does look much better all black, but am not sure if it is identifiable as a capercaillie..further experimentation is required I think.

Capercaillie - experimentation with colour
I think this is slightly better, the colours more just hint at the true colours of the bird, rather than just ignoring it, and depicting it as a black bird...but this differentiation in colour is going to be difficult to print..it works on a screen, but getting the colours right to print could potentially be a bit of a mare.

Today have got lots of little rough bits and ideas together; tomorrow I might try and see if I can make this into a pattern, or at least a first draft of a pattern.

I also need to spend some of my time thinking of the ways in which my work can help the conservation effort - the things that my pattern may be used on to make a difference...I really need to get some idea soon...




Forestry Commission Scotland, (2014). Action for capercaillie. [online] Available at: http://www.forestry.gov.uk/pdf/fcs-action-capercaillie.pdf/$FILE/fcs-action-capercaillie.pdf [Accessed 8 Oct. 2014].

Sunday, 31 August 2014

CONCEPT: Blog entry 43

I wanted to have one final bash at a pattern before hand in, and theres a couple of ideas for back grounds that I think will make this work better...

so, starting from scratch, with the white-tailed eagle. I wanted to do this one because it's slightly different from the few that Ive done so far, and I wanted to show more how I could incorporate the food aspect of this idea.

Here are some of my initial drawings that will go make up the final pattern;


White-tailed eagle

White-tailed eagle
From all my past experimentations, I discovered that when the bird is all one colour, it is best to use a couple of shades of that colour, instead of just the one colour, like I am able to do with the other more colourful species...these I just use the different colours to give the impression of the shape of the bird. when they are just one colour, if I only use one colour, they lose their shape and definition and look rubbish, so a couple of shades of the same colour help give it back some of that definition, but I still want to keep it to as few colours as possible.


White-tailed eagle
White-tailed eagle

White-tailed eagle

Wednesday, 27 August 2014

CONCEPT: Blog entry 40

Today I have spent most of my day working on this pattern, with golden orioles all over it. I wanted to use this example of more how I can mix in more information about the bird (although this particular species may have been a poor choice in hindsight) but you get the gist...I have used both the male and female variations of the bird, and the branches it sits upon are those of the tree where it's favourite berries grow. The also eat insects, but I was unsure how/whether to include this (??).
Experimentation in Photoshop, Golden Oriole Pattern
[As you can see here, it doesn't quite seamlessly repeat yet, but it's getting there! - I'll talk about this a little more in a moment]

Experimentation in Photoshop, Golden Oriole Pattern, Detail

Experimentation with pattern - Holes!
As this image shows, although this attempt at a repeating pattern was more successful, I still have noticeable holes! It is only my second attempt using this method, but I wanted to have at least one nicely done example before I hand my work in. sadly though, this has taken me the best part of a day, and it is no where near as nicely polished as I would like it to be...
I may just have a to accept that I haven't got time to be able to nail this technique before assessment..which is pretty pants.
HOWEVER! It does work, I just need to work on it and get better at it; my second attempt is already lots better than my first, I don't think it will take that long for me to get the hang of it. 
It does work, it just needs lots more experimentation and polishing, which I will have time for in the next module, I just haven't had time for it in this module because I've been too busy pulling my hair out figuring out what I'm actually going to do.