Wednesday, 19 February 2014

PP&M: Blog entry  10

I didn't get much done today, making wise. I looked at a lot of artists and started to experiment in photoshop. I made this (which was surprisingly time consuming) I'm not impressed to be honest, I prefer my other experiments from before (blog entry 7).
Experimentation in photoshop with PDF of Bourges text
I think next I will have a go at using pens and pencils and doing this by hand and see what I can come up with.

Although I don't like the result from this as a photoshop image, it may work better by hand, or side by side with another image for the book I was wanting to make. 

Book and Paper art

PP&M: Blog entry  9

Having deciding I needed to do some more research, I took to Pintrest. I found loads of incredible stuff, but am just going to pick out a few things, for this post, that I found really interesting. You can go to the board I created by clicking here.

The first artist I found was Will Ashford( I mentioned his work in my previous post, Blog entry 8)


Will Ashford The Mirraculous Dots and Lines 120 Ink on printed paper    1


Will Ashford Art as Compensation Graphite on printed paper     2

I like the way in which he uses his images to highlight certain parts of text and obstruct and obscure others. Really want to have ago at doing something similar with the Borges text.
Kelly Cambell Berry Mayberry's Insects    3
Images by Kelly Campbell Berry: I like the ripping of multiple pages, creating a sculptural object, images of the book coming out and around it's pages. Similar to the works of Su Blackwell  4;
Su Blackwell 2005 The Quiet American   5
Su Blackwell; again turning the book into something more sculptural, and object rather than just text.

Jean Cody  ancient peacock, reproduction printed on 75 year old page from dictionary   6
Although I like the works of Kelly Campbell Berry and Su Blackwell, for this current project i was wanting to create something more on the pages of the book involving the text of each page. I think i prefer works such as Will Ashford's and the above image found on Etsy by Jean Cody.


I've been wanting to experiment with watercolour for a little while now, and this image just makes me want to do so even more. I'm not quite sure how I would translate that to my working with the story of Babel, but this is something that I would like to experiment with.
However, this also comes back to my question of whether i would be working in colour or black and white...


Analu Prestes Paper arts   7
In this image i like how the cut out looks when it is lit up - this gave me the idea of using a pin to create and image with the text on plain white paper and using a similar technique (maybe photograph on a light box?) to create the final image.






1       Ashford, W. n.d. The Miraculous Dots and Lines 120. Ink on Printed paper.  [online] Available at: http://willashford.com/portfolio.html. [Accessed: 19th February 2014]

2      Ashford, W. n.d. Art as Compensation. Graphite on printed paper. [online] Available at at: http://willashford.com/portfolio.html.[Accessed: 19th February 2014]

3  Campbell Berry, K. 2012. Mayberry's Insects. [online] Available at: http://kellycampbellberry.tumblr.com/ [Accessed 19th February 2014]


4  Blackwell, S. 2014 [online] Available at http://www.sublackwell.co.uk/ [Accessed: 19th February 2014]


5  Blackwell, S. 2005. The Quiet American. [online] Available at:  http://www.sublackwell.co.uk/portfolio-book-cut-sculpture/ [Accessed 19th February 2014]


6   Cody, J. 2014. ancient peacock reproduction, printed on to 75 year old dictionary page. [image online] Available at: http://www.etsy.com/listing/52072175/ancient-peacock-reproduction-printed-on?ref=v1_other_2 [Accessed: 19 Feb 2014].


7    Prestes, A. 2011. of paper and things: paper arts | analu prestes. [online] Available at: http://ofpaperandthings.blogspot.co.uk/2011/02/paper-arts-analu-prestes.html [Accessed: 19 Feb 2014].
PP&M: Blog entry  8

In our monday session I showed some of my recent work, and was given these pointers;

- (research) Tree of Codes
- (research) Visual Additions
- When creating my book from the altered pages of the text, does each page really need to have a separate image to go with it?
- Drop symbolism, and drop individual bird symbolism (will be taken and read the wrong way, as the subject is too vast)
- Move forward with the idea of cutting and altering pages of the text, and experiment more with this.

So I've done a little research and had a think about things and created a to do list of ideas and experiments for myself for the next week or so;

- Continue experimenting with altering pages of text - cutting/drawing/typography

- Do some more research on paper/book art (Pintrest?)

- Blog more! I must blog more, and put more of whats in my sketch book on here. More of my individual experiments, and also lots more research, which I haven't got much of at all on here yet.

- Carry on producing images to go with pages of altered text. I know I was advised to drop this idea, but I'm not done with it. So far I only have one image out of five that I'm happy with, and i'd like to see this through until I'm certain it doesn't work. I only had the idea a week ago, and haven't fully explored it.
On this Idea, I think I would like to produce a couple of books; one from the original idea - a page of altered text and an image, another as Tracey suggests, just my altered pages (cut outs) and maybe another of just the altered pages, but that have been drawn on (similar to the work of Will Ashford). With this experimentation I plan to print of the pages of the pdf and do some by hand as well as some in photoshop.




 Ashford, W. 2014. Portfolio. [online] Available at: http://willashford.com/portfolio.html [Accessed: 19 Feb 2014].
PP&M: Blog entry  7

Today  I continued working on the idea of creating a book from the text. Going on from my experiments yesterday, I had to type the text into photoshop as the PDF looked a bit rubbish really. Once i got the text sorted, I just started playing, thinking of images to go alongside each page of text.

For the first page, I wanted to try and create a hexagonal universe ( I had a couple attempts early on in the project at trying to draw the library itself, but that all went to hell to be honest...). After lots of time playing with brushes and opacity, this is what I came up with;


Experimentation: the Hexagonal Universe

Page 1 of text and image of the Hexagonal Universe
Having earlier sorted out the text for the book, I then did another quick mock up of the page and image together.

Also, I have yet to decide on colour or black and white? I think I'm leaning towards black and white, to fit with the printed text. If I do use colour it would be minimal flash of colour - like my image of the goldfinch (in Blog entry 6) or this image I did the other day thinking of page 2 of the text;



Image taken from sketchbook
Here I chose to use a  Cardinal, not so much for it's symbolic meaning, rather it's colour, referring to the one red book in the library that supposedly has mystical powers.
Photos of experimentation with Cutting pages of the text.
Above are some of the other images using the pages of the text. I need to do some more research into paper art and book art to get some more ideas of different ways to do this...

Wednesday, 12 February 2014

PP&M: Blog entry  6

Last week I didn't get much done because I felt stuck. I had this idea, but I didn't feel confident enough to plough on with it because I wasn't sure if I'd strayed too far from the original task. After a tutorial and talking to a couple of people, I think I need to stop, rethink, and head in another direction. From looking at the images I had produced so far,  it was very difficult for someone else to make the connection with the story, which is, I think, what they want from us.

So, last night and the past few days I've been brainstorming, doodling,  coming up with ideas for work to produce this week, based on a few different ideas, so that hopefully next week I can narrow things down and follow one direction.

I have had  few ideas; the main thing I wanted to focus on (taken from my other previous ideas) was that of extinction. The fear of death, and of man kind dying out. This is the paragraph on which I have been mainly focusing;
" Epidemics, heretical conflicts, peregrinations, which inevitably degenerate into banditry, have decimated the population. I  know of the districts in which the young men prostrate themselves before books and kiss their pages in a barbarous manner, but they do not know hot to decipher a single letter. Epidemics, heretical conflicts, peregrinations which inevitably degenerate into banditry, have decimated the population. I believe i have mentioned suicides, more and more frequent with the years. Perhaps my old age and fearfulness deceive me, but I suspect the human species - - the unique species - - is about to be extinguished, but the library will endure: illuminated, solitary, infinite, perfectly motionless, equipped with precious volumes, useless, incorruptible, secret."
 Following from this, I also thought about the emotions described in the text through out, the despair, sorrow, madness (although I am unsure how to depict this as of yet.) 


Scan from sketchbook
One of the thing I had been thinking about was the representation of the bird as a symbol of death, or the human soul. Not sure that just images of dead birds likes back to the story of the Library though..I started to think of ways of relating this back to the story.

Scan from sketchbook


The above image I was thinking about the quote; 

"Once I am dead there will be no lack of pious hands to throw  me over the railing; my grave will be the fathomless air; my body will sink endlessly and decay and dissolve in the wind generated by the fall, which is infinite."

The falling bodies seems to be a theme which many people have picked up on, and the grimness of falling dead bodies all around. For me the falling is more about a feeling of helplessness, and reminds me of falling dreams.


The bird in the image is supposed to represent a nightingale (the nightingale is a boring little brown thing, and I haven't worked out how to show that whilst working in this media yet). The nightingale represents longing, or a departed soul; it's cry is said to be that of a cry for help from someone trapped in purgatory, or a warning of impending doom or death.

This image also bring in another element that I might start to experiment with: pattern. I have done a couple of brief experiments with this idea, but i think that it is something that I should give some more time to this week. I really like this small section included in this image..how else can I use this?
Scan from sketchbook

With this image I was thinking of an artist I mentioned in an earlier post, Andrew Beckett (Blog entry 5 - Click). I liked the way in which he picked out one colour among his monotone images. I find this technique particularly helpful wen trying to show a specific type of bird in a monotone image. It allows the viewer to see the type of bird not just a bird. However, this works really well with a gold finch, because of their natural markings...this is not as effective with little brown jobs such as the nightingale above.


In this image I chose to show a goldfinch. The Goldfinches are said to represent the passion of christ, and his human nature. The red mark on their faces is said to have been obtained when one of the birds pulled a thorn from Jesus' head at his crucifixion  Goldfinches were also once kept as a pets by many, and is therefore a reminder that God lived and died as a man here on earth. 

I wanted to experiment more with the idea of the falling bird. This image then got me thinking about taking the pages of the text and trying to make it more illegible, and confusing and difficult to read.

The idea I got from this was to create a book with the pages of the PDF. It would be a drawing, then a page of the altered text (5 pages of text in total, 5 images to accompany the text). This would serve as some kind of final piece for this project (we have not been briefed to produce a 'final piece' as such, I would just like a goal to work towards).

Example of double page in book.
Left: image created from the text. Right: Cut out PDF


Used my image of the falling bird to make up this image, I'm not sure if it actually works too well with that silhouette...need to do another one with the bird in a different position.
Experimentation with the text

Example of double page in book.
Left: image created from the text. Right: Cut out PDF

I like this idea actually, I wasn't sure about it at first. Again, this is something that I just need to keep experimenting with.








Becket. A. n.d [online] Available at: http://www.illustrationweb.com/image.aspx?sz=760&image_id=82310&fitw=y&src=hires&name=image_57323.jpg> [Accessed 11th February2014]

Irby, J. 1962. Labyrinths
Borges, J. The Library of Babel